Thanks (C) Erica Howton for the quick fast immediate Christmas intervention:
*obviously the queen consort of Spain Elisabeth de Valois was not the wife of Jean Charles Theriot, I & mother of his spurious line (which I suspect some DIY brings to Canada:)
but to be picky,
there would be an engagement to do with the dead young man, totally locked:
-Edward VI of England
___________
*well and there would be also a little help for the New User Beginner personal tree new conflicts^^'
Interestingly, the engagement is not mentioned at https://en.wikipedia.org/wiki/Edward_VI
But primary sources are quoted here:
The Art of Diplomacy: Elisabeth de Valois and Edward VI
Posted on October 14, 2014 by Christine Hartweg
https://allthingsrobertdudley.wordpress.com/2014/10/14/the-art-of-d...
In July 1551 the French Maréchal St. André visited the English court, ostensibly to bestow the prestigious Order of St. Michael on Edward VI, but also for negotiations about a marriage between the young English king and the even younger French princess Elisabeth de Valois …. In July 1551 the French Maréchal St. André visited the English court, ostensibly to bestow the prestigious Order of St. Michael on Edward VI, but also for negotiations about a marriage between the young English king and the even younger French princess Elisabeth de Valois.
I can certify to your Majesty that the proposed marriage of the King of England with the Princess of France is being definitely discussed, and that the Constable has spoken of it and held communications upon it. It is also a fact that the Princess, who has had a portrait of the King placed in her chamber, often stands before it, and says to her mother the Queen: “I have wished good-day to the King of England, my lord.”3
What kind of portraits were these? Since it is clear that little Elisabeth stood before her betrothed’s image in her room it must have been a panel painting, probably of life size and in full length; after all, Edward was a king. According to Leon Battista Alberti, the great Renaissance theorist, such a portrait made “the absent present”.4 On the other hand, the picture sent by the French to England, and executed by a female artist named Elizabeth, was almost certainly a portrait miniature. Fortunately, both paintings seem to have survived to this day: Edward’s in the Louvre, Elisabeth’s in the Royal Collection.
On 25 July 1551, six days after the French-English marriage agreement had been signed, Edward VI’s chief minister, John Dudley, Earl of Warwick, wrote to Edward’s Lord Chamberlain, Lord Thomas Darcy, who was also one of his “special friends”5 in the king’s privy chamber. In his letter, Dudley told Darcy the story of the miniature of Elisabeth de Valois, no less, and how he had hit upon it in his desk the other day:
The miniature of Elisabeth de Valois, Edward’s bride, found by his minister John Dudley in a desk